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Petry's
Paintings
by Ward Byron
1994
Editor's Note: The
following letter from Ward Byron was in response to Past-Commodore Bill
Weinert's request for some background on the framed additions to the
Club's Squadron Room. These paintings are the work of Victor Petry, a
personage here in Douglaston as well as in New York's theater and ail
world. Mr. Byron also notes that the yachting prints are the work of a
British artist, Thomas G. Dutton, and were lithographed around 1875. It is
quite possible, he says, that through a mix-up of names the Foina is
really the Livonia, they yacht defeated by the Sappho in the America's Cup
races of 1871.
Mr. Byron lived on Ridge
Road, Douglas Manor, from 1943-1985. Now eighty-eight years old, Mr. Byron
lives in Riverdale.
The Petry family came to
Douglaston in 1915 and lived at 29 Cedar Lane. Vic and his younger
brother, Alex, had a sloop named Mutt and might have become enthusiastic
yachtsmen had not music and art raised their ugly heads. Most of their
friends were deep-water people. There was Arthur Knapp, who became
national Star champion, and the Teller boys, who lived across the Bay, and
the Johns brothers whose father was Commodore of the Bayside Yacht Club.
Then there was Carl Weigant, Victor's pal and neighbor. Carl was one of
Douglaston's most expert yachtsmen and was a classmate of mine at Flushing
High School. He wrote for Yachting magazine and was involved with
transatlantic sailing competition. Sometime around 1932 he studied ancient
marine documents on shipwrecks involving sunken treasure. After much
research and calculations, Carl was convinced of the location of a
sunken treasure ship. He put everything he owned into raising money to
support a personal treasure hunt. He begged and borrowed and finally
secured the funds and set off, mortgaged to the hilt, and in debt to a few
close friends. Needless to say, the venture was a complete loss and the
treasure (if his calculations were correct) remains in the locker of a
certain David Jones.
The story has a sad
ending, as Carl, despondent over the failure, and no doubt feeling guilt
for the losses he had caused his friends, hung himself in the attic of his
home just across the street from Petry's house. Perhaps the loss of a dear
friend contributed to Victor's losing interest in sailing, but it was sure
to lose out sooner or later to art and music.
Victor Petry Sr., was a distinguished
architect and interior decorator. He was associated with the famous
Broadway theatre producer and director David Belasco, and designed many of
Belasco's shows of the early 1920's. Petry also did the famous Pickfair,
home of Douglas Fairbanks and Mary Pickford in Beverly Hills. You can
imagine my thrill when in later years I spent many days at Pickfair
working with Buddy Rogers, who was Mary Pickford's second husband. Another
of Petry's clients was Sarnuel B. Riddle, owner of the famous Man O'War.
You
can see with such genes bouncing around the Petry home the lure of the sea
didn't stand a chance against the call of the arts. AD four children
became accomplished musicians. Vic and Alex doubled in both music and
painting. Alex was my age. I hired him at NBC in 1931 as a music librarian
where he remained until he retired. He then follow Vic's lead and turned
to painting seascapes- proving that you can take the boy out of
Douglaston, but you can't take .... You know the rest. Music was in the
air in those days. Another Douglaston artist was like a brother to the
Petry clan. Those of you who follow jazz of the Big Band era will know of
Bob Haggart who was an original member and arranger with the Bob Crosby
orchestra. If you don't remember him, I'm sure you will remember his
compositions- What's New, South Rampart Street Parade, and Big Noise From
Winnetka. Haggart was like a third brother in the Petry family. We held
orchestra rehearsals in their living room, and Bob who was somewhat
younger than the rest of us, asked to "sit in. " He still plays
concerts, but like Vic and Alex, he turned to painting and had an exhibit
last year here in New York. I believe that a bit of Old Vic rubbed off on
young Bob.
Victor is the only
remaining member of his immediate family, and at ninety-two is now living
in Calimesa, California. He started his art studies at Pratt Institute,
and later became a student of the American master, Frederick J. Waugh.
So
the next time you attend a function in the third floor ballroom, remember
that although George Washington never slept there, Victor Petry played
there many, many times.
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